Teichert Murals from Montpelier and much more…


I finally arrived home let evening with about $3 million worth of art in the back of the Suburban. Today we’ll unleash the power and smarts of the team at the lab, get everything “logged in” evaluated, tested, photographed and organized.

It was an astounding 3 week trip starting in SLC at the Roots Tech Conference, exhibiting as an author and connecting with major companies that want to partner with my new book coming out, “Collection Care Tips – Save Your Stuff” a multi-media $27.00 e-book with videos and other how-to info. There’s going to be a Family History industry wide “product launch” where we will give my book away for free plus other training to preserve and save items that are important to family histories. Its a great book for collectors too.

Teichert Mural in Montpelier, Idaho

One of two murals in the historic tabernacle

Then we went to Montpelier, ID to save two murals (oil on canvas glued to the wall) by Minerva Teichert before demolition was begun in the LDS Tabernacle (a conference center) that housed them. One of the murals depicts Pioneers and the other is a very nice rendition of the First Vision of Joseph Smith. The appraisal of the artwork stupefied the administration: they are worth more than the building! An interesting factoid about them is that this was Minerva Teichert’s stomping grounds and her ward building is the town next door, Cokesville. We careful rolled the murals off the walls before massive updating and bringing the building up to code is begun. Among the work will be asbestos and lead materials removal, new electrical and other systems, maybe earthquake retrofitting? We are talking the murals back to our lab for art conservation treatments and then we will reinstall the murals when the building is ready in about 15 months. We will be the last ones to finish our work in the building after everyone else has completed their work. I shot some video that you’ll find interesting. Sign up for blog updates in the side bar so you are notified when I post it.

Removing the Teichert murals for safety

Removing the murals by Minerva Teichert for safety during building renovations.

Then I spent a day and a half meeting with private clients in the SLC area. A highlight of the visits was with Anthony’s Antiques who gave us a $150,000 painting by Albert Beirstadt of the Wasatch Front painted in about 1868 to work on.

Before leaving Utah, I also met with the director of the Springville Museum of Art, Ms. Rita Wright and we discussed several of the Museum’s needs. We picked up several  paintings, very important to the museum’s historical collection, by John Hafen that need some work before they are included in an up coming exhibition. More about these paintings later, also. Stay tuned.

So, now after loading two 9 foot murals rolled around a tube and several other paintings my Suburban is starting to fill up… but I’m not done yet…

Next stop was Las Vegas for Valentine’s Day. Keep in mind that for my sweet wife Diana, V-Day is a more important celebration that practically any other holiday. Well, I’m exaggerating a little bit but you get the idea. So, she met me in LV and we stayed at Caesar’s Palace and went to see Shania Twain in Concert. It was a great performance and she has definitely “Still got it” (the name of her show). It was good entertainment, really fun and romantic.

So, this next ‘event’ is a little contorted to explain… I’ll have to leave out some details. But last March (11 months ago) was my 60th birthday. My sweet wife thought it would be fun to do something different and adventurous although I wasn’t up for swimming the English Channel like Jack LaLane. So she signed me up for driving a Ferrari on a race track (after she made sure my life insurance was paid up). But the race track in the LA area “fizzled out on us” and though we got our money back, I was left with this very cool idea in my head… and NO 60th B-DAY gift!!!!! Well, low and behold, we are leaving Las Vegas to go to St. George and on the way out of town (going North) is a race track inviting and advertising for MY 60th B-DAY GIG!! So we pulled in “to get some info” but in reality, as soon as we pulled off the freeway I was ready to climb into a fast car. It wasn’t long till I had a helmet on and was sitting in a Ferrari Scuderia 510hp with 7 laps of “all I could be” ahead of me. I could go on and on… it was really fun (top speed 115 mph and 1min 3 sec fasted lap) but I’ll cut it off here.

I’m still smiling about my 60th birthday present…

Interestingly, I had several desperate phone calls on this trip involving disasters and insurance companies… all in Las Vegas! One of them was about an art gallery that was “blown up” by a gas company gas leak explosion! The other two were about massive water leaks that basically ruined the entire house from both water damage and mold. One of the water damage phone calls was able to get cooperation with their insurance company right away and had me go by the house and pick up, on my way home, a pile of paintings to be cleaned and brought back to “pre-existing conditions.”

So, there you have it, the short version of the last three week’s trip meeting with numerous private collectors, museums and “saving the world of Mormon Art.”

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Art conservation questions? Call Scott Haskins 805 564 3438

Art appraisal questions? Call Richard Holgate 805 895 5121

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Purpose of Life Mural Art Conservation Treatments Completed… and a twist!


Here you are, the first to know… we have finally finished the painting conservation treatments on the famous The Purpose of Life mural. This iconic painting was widely used, worldwide, as a teaching aid, illustration and artwork. You may have seen the video of how we removed it from the walls of the Hyde Park Chapel in London England before they modified the building in preparation for the Olympics.

What we did to preserve and restore the mural

Once in our lab, we stabilized the condition of the paint layers which were stressed during the removal and the shipping from England. The stabilization process helps to guarantee that paint will not flake in the future and that cracks will not develop.  Any distortions that had formed while being rolled up were relaxed with heat and solvents so the painting lay perfectly flat. The painting was cleaned then any paint losses, damage etc were “inpainted.”

painting restoration

A lesson for you on “inpainting”

Inpainting is a professional art conservation  term that denotes very careful and accurate retouching with small brushes with reversible varnish or water based based colors. We never use oil paint. In fact “retouching” is a rather crude term which insinuates disguising damage but not necessarily accurately. “Repainting” or “overpaint” is still further afield from the careful color-matching inpainting techniques professionals employ. If you hear a professional art conservator use the term “retouching” in front of you, he/she is probably dumbing-down the vocabulary for you thinking you won’t know or understand the correct terms.

An interesting choice to be made

An interesting detail about this mural was the decision of how to remount it to a wall. The choices were to 1) re-adhere it directly back on a wall or 2) adhere it to an aluminum honeycomb (and aircraft industry product) panel that could then be mounted to a wall, or 3) to utilize a fairly new technology of mounting it to a semi stiff thick webbing that could be bolted to a wall. Benefits of this last option would allow the artwork to be unbolted and removed if perhaps the building were to be damaged in a fire or an earthquake or if the painting were desired for a major exhibition someplace else. As you might guess, the last option was the one chosen because of its successful implementation on the murals in the North Visitors Center on Temple Square in Salt Lake City, Utah.

Grant Clawson

North Visitors Center murals by Harry Anderson and Grant Clawson

About the varnishing

The final varnish layers have UV filters contained in them, will not yellow with time and no matter how long it will be until the next time varnish removal may be required, the varnish will come off easily and without damage to the original paint. The choice of varnish also considers which type will best saturate the original colors and make it look its best. Some synthetic varnishes make paintings look like a poster.

Where is the new home of the mural?

The painting has been delivered to Brigham Young University Idaho where it will eventually be displayed in a prominent location although the exact place has not been decided yet. Therefore, it was rolled up on a large diameter tube for storage where it will wait patiently. We look forward to the installation of this wonderful painting and we look forward to the celebration at the inauguration by the many people who love this image and its message who celebrate its saving from demolition.

Stay tuned for a video of the processes (still to be made). Sign up for blog updates in the side margin.

BYU Idaho final inspection

Gerald Griffin from BYU Idaho doing final inspection of art conservation work with Oriana Montmurro, FACL conservator

But here’s a surprise twist…

While we were working on the art conservation treatments of the mural, I got a phone call one day from a member of the Church in Sacramento California. I was dumbfounded when he told me that while he and his wife were on a mission at the Visitors Center of the Hawaiian Temple, demolition, renovation and updating of the Visitor’s Center took place. And before the work got started he with some help ripped off the wall another mural that is the same as this one, only with Asian people depicted, in an attempt to save it. Its been rolled up in his garage for decades  but as he remembers it, he assumes it was the same size (7’ x 19.5’) and painted by the same artist (Robert Oliver Skemps) about the same time (1964) as the mural in this article! The owner of the artwork isn’t going to use it or wants it but is willing to give it back to the Church. I believe the process of reacquiring the mural is in the process with the History Department but it is not a smooth or speedy process. Of, course, there are many more questions that come to mind that, presently, don’t have answers. But I have volunteered to go up to Sacramento and take possession of the painting which I assume is in terrible condition given the presumably rough removal techniques, being tightly rolled up and stored in a garage. Stay tuned (sign in – in the right margin) and we’ll let you know as the story breaks!

Got a comment? Leave it below…

For an eye witness, on site account of the removal from the Hyde Park Chapel go to: http://fugalmission.blogspot.com/2011/08/mural-in-hyde-park-chapel-and-packing.html

Art conservation questions? Call Scott M. Haskins 805 564 3438 faclartdoc@gmail.com

Art appraisal questions? Call Richard Holgate 805 895 5121 jrholgate@yahoo.com

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Minerva Teichert painting in arrival at our lab


Rarely seen because its tucked away in an LDS chapel in the town Minerva grew up in, Cokesville Idaho is a large painting 4′ x 8′ that is beautiful and interesting and will be coming to our lab later this month.

Minerva Teichert Detail of Jesus Christ appearing in the AmericasThis is only a detail of the painting and, as you can see, its a Book of Mormon scene of Jesus Christ appearing in the Americas. I’ll post about it later once its in the lab for art conservation treatments and let you see details of it and tell you what we will do to preserve it. So, stay tuned! Sign up in the side bar to be notified when I add new info to this blog.

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Carl Christian Anton Christensen’s Well-Known Painting Restored


By Eleanor Nelson, Guest Blogger

Carl Christian Anton Christensen (1831-1912) was born in Copenhagen and joined the LDS church in 1850. After a mission to Norway (where he met future pioneer artist Dan Weggeland), he eventually settled in America, travelling to Utah with his wife as part of a Danish handcart company. He is beloved for his paintings illustrating the history and culture of the LDS church, and has been described as having done “more than any other person to capture the images of the history of the Mormon migration to Utah and the life lived there.” His many accomplishments included the paintings in the St George Temple and the Creation Room of the Manti Temple (art conservation treatments performed in 1983 by Scott M. Haskins). His best known work is the Mormon Panorama: a group of paintings, 7ft high and 13ft wide that now belong to BYU, that were sewn together at the ends and scrolled on spools to create a moving picture of the history of the church. Christensen travelled with this piece around Utah, Idaho and Wyoming, using it as a helpful teaching and story telling device. This series was also preserved and restored by Scott M. Haskins.

This wonderful painting, Welcoming Arriving Immigrants, shows immigrants arriving in Zion. It conveys the happy and welcoming spirit that Christensen felt about being part of God’s people. It was so well thought of that he made at least two other copies of the painting, one of which hangs in the Church Museum of Art of the LDS Church.

The painting was cleaned in 1981 and was in reasonably good condition. Light cracking over most of the surface was present but not causing any problems. It was, however, covered with a very discolored layer of varnish. When varnish yellows over time, a general color shift occurs throughout the painting: blues become greens; purples become browns. Contrast is usually reduced between the figures in the composition and so the painting takes on an overall flatter appearance.

Before the painting was cleaned, solubility tests were performed to check the sensitivity of the original colors to the solvents that might be used for dissolving the varnish. It is imperative when cleaning varnish off a painting that the original colors are not affected. Once the testing was completed, a custom mixture of solvent was formulated and the discolored varnish was removed, square inch by square inch with Q-tips and magnifying lenses.

During the removal process, it was quickly realized that there was a second layer of varnish underneath the first. This was also discolored, but much harder than the top layer, and was not removed during the cleaning process, partly due to budgetary constraints. Also, the dramatic improvement achieved by the removal of the first layer satisfied the client so no further work was done. This decision had no negative influence for the preservation of the painting. It received several layers of synthetic varnish, used in art conservation because it is easy to remove far into the future and does not yellow. Any time in the future a follow-up cleaning can be performed.

This painting is on exhibit in the conference room of the International Pioneer Museum in Salt Lake City.

Tips about what you can do at home to take care of your artwork and collectibles can be discovered in Scott M. Haskins’ book, How To Save Your Stuff From A Disaster. Click Here . 205 pages of tips, photos and instructions to help you take care of your family history items.

Questions about art conservation – restoration? Call Scott M. Haskins at 805 564 3438

Questions about art and antique appraisals? Call Richard at (805) 895-5121

Questions about working with an insurance art and contents claim? Call us toll free at 888-704-7757

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Cody Mural Art Conservation Examination, Cody Wyoming


When you walk into the space where this mural is located it catches you a bit by surprise! You are surrounded by the story and emotions of the mural because it is painted on the wall of a small round room with a dome. The painting is 9’ tall from bottom up to the curvature of the dome… so add another 5 ft? It bends around 80’ of the circumference of the room. Painted in 1951 by non member of the LDS Church Edward T. Grigware, the style of the painting is a modern style utilized in the 40′s, 50′s and 60′s that has a lot to do with illustration art. You may recognize the style as similar to ads from that period and illustration from magazines. I like the style a lot and immediately saw a stylistic similarity with the famous “Purpose of Life” mural that was painted in 1963 for the New York World’s Fair and was an illustration used in Man’s Search for Happiness. I rescued that mural from the Hyde Park Chapel last year where massive renovation took place to prepare for the 2012 Olympics. The Purpose of Life mural is in our art conservation lab right now, being prepared for installation on the BYU Idaho Campus eventually. To see a quick video of that mural removal process go to http://www.youtube.com/watch?v=a_MRCf7uKEE

The Trust that oversees the maintenance and care of the famous and beloved Cody Mural in Cody, Wyoming is looking ahead at upgrading the systems (air conditioning, heating etc) in the Visitor’s Center. As a planning precaution, I was called to give them an art conservation professional evaluation of the condition of the mural, just in case the mural might prove to be too weak or have problems that would be impacted by the upgrades.

Well, good news to those who know and love this mural: 1) the mural is in great condition and 2) the Trust doesn’t want to put the mural in danger in any way.

While I was doing the evaluation, I took some photos and this is the short video review of my visit that I made:

I have been impressed at how many people far and wide know about this mural, love the subject of pioneer history and the history of the Church of Jesus Christ of Latter-day Saints and relate to how the mural tells the story of the sacrifices that the pioneers made in settling the West.

You’ll really enjoy the website that the visitor’s center has set up at http://www.codymural.com

Also, you will be interested, perhaps, in the continuing development of the Church History Department’s website within the larger LDS Church website. Go see it at http://history.lds.org

If you would like to see other mural conservation – restoration projects we have been involved with see some of our very interesting videos on the youTube channel at http://www.youtube.com/user/bestartdoc?feature=mhee

Art conservation questions? Call Scott M. Haskins 805 564 3438 or faclartdoc@gmail.com
Art appraisal questions? Call Richard Holgate at 805 895 5121 or jrholgate@yahoo.com

Sign up in the side column with your e-mail address so you can be updated whenever I post a new article or video!

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Art Restorer/Conservator, Scott M. Haskins, Featured in Life Section of Newspaper


Marilyn McMahan, staffwriter of the Life Section of the Santa Barbara News-Press published a feature article on me and our art conservation lab last week. I was appreciative for the major coverage, photos and placement they gave! Here is the article entitled, “Art Conservator Restores Paintings in Santa Barbara and Around the World” – Art Restorer/Conservator, Scott M. Haskins, Featured in Life Section of Newspaper CLICK HERE: http://www.fineartconservationlab.com/media-room/art-restorerconservator-scott-m-haskins-featured-in-life-section-of-newspaper/
Please click on the “LIKE” button and leave a comment.

Scott M. Haskins

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LDS Rome Temple Construction Update


Progress on construction of LDS temple in Rome as of May 2012

Progress on construction of LDS temple in Rome as of May 2012

This isn’t really about art conservation but it might be indirectly connected later on! On May 28th we were in Rome and on that Sunday evening we went to the site where the new LDS temple is being built. We climbed up on a wall for some photos but a security guard came up to us and said, My partner inside the fence wants you guys down off this wall! He’s crazy too, has a gun and will shoot you!” We started laughing so hard at this implausible scenario we about fell off the wall! Anyway, so we went across the street and found a perfectly legal access up to the roof of the giant shopping mall where we got a fantastic view of the entire construction site.

Here’s a short video bringing you up to date on the progress.

I’m trying to see if I can wiggle my way into the installation of the new murals into the temple, that will be painted in a couple of years. We’ll see.
Pass the video around?
Scott M. Haskins

p.s. If you’d like to see another interesting art conservation related activity we had (but not Mormon art related) while we were in Rome go see this video I made of the behind the scenes tour of the collection of Historical Royal Carriages of the Italian White House:

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“Purpose of Life” by Robert Oliver Skemp (Hyde Park Mural) Update


I was asked for a quick update on the progress of the mural by Robert Oliver Skemp we removed from the Hyde Park Chapel in London, England: We are cleaning the reverse side of the glue etc that stayed on the back of the canvas of the mural when we pulled it off the wall.

Removing glue from the mural

Removing vinyl paste adhesive from the back of mural.

Here it is laid out, face down, as we go through the difficult task of getting the adhesive off the back without damaging the mural. This is something that must always be done when removing a mural from a wall.

This Thursday, the admin from BYU Idaho will come to Fine Art Conservation Laboratories (FACL, Inc.) in Santa Barbara to see the mural for the first time (its been donated to BYUI) and to discuss the treatments and the options for mounting it on a wall at the university. Should be a nice viist. We are all looking forward to it.

Here’s the video about the removal process in London:

Here’s the initial announcement of going to England to remove the mural: http://www.fineartconservationlab.com/murals/mural-removal-hyde-park-mural-project-in-london-england/

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Art Conservation Work This Week – Intense!


Brigham Young in Nauvoo, IL

Brigham Young in Nauvoo, IL about 1843. From the collection of DUP

We have the engine at FACL running on all cylinders this week: Mural work at the Salt Lake temple for the LDS Church, large paintings to be cleaned on site at the Daughters of Utah Pioneers (DUP) Museum in SLC, a Post War Expressionist Abstract painting by Jay De Feo examination and reports at Utah State University for the Whitney Museum of American Art in NY, inspecting a “pile” of newly discovered historic paintings, meeting with private clients in SLC and Las Vegas PLUS picking up and delivering gorgeous paintings in Los Angeles (Beverly Hills) and Carmel… and all our other stops! Give us a call.

Whew! We love it!

Sign up for updates to this blog now! Its at the top of the side bar. There is a lot going on. I promise to keep it entertaining and interesting!

See Daughters of Utah Pioneer website: http://www.dupinternational.org/

More info on our work with clients in Utah: http://www.fineartconservationlab.com/salt-lake-city-painting-restoration-art-restoration-art-conservation-painting-conservation-repair-art-slc-utah/

More info on our work with clients in Las Vegas: http://www.fineartconservationlab.com/art-painting-conservationrestoration-las-vegas/

For the Whitney Museum of American Art: http://whitney.org/

Art restoration/conservation questions? Call Scott Haskins at 805 570 4140

Art appraisal questions? Call Richard Holgate at 805 895 5121

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LDS Museum of Church History and Art Gets Big Delivery Today – October 27th


I’m on my way to Utah today for a very interesting visit with clients in Las Vegas and Salt Lake City. Part of this trip is all about delivering some big paintings to the LDS Museum of Church History.

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